Ef-series

Maximize uptime using a fully redundant, six-9s modular 2U enterprise-grade building-block system with automated failover and advanced monitoring. According to StorageReview. Achieve consistent high performance. Access your data more frequently. Scale with compute and storage decoupled.

Meet the challenges of increased surveillance-data throughput, retention, and retrieval.

EF Series® Ultra High Efficiency - 60 & 100 Gallon

Optimize performance for petabyte-scale, data-intensive applications. Get cost-effective, reliable, fast storage for backing up heterogeneous environments. Eliminate overprovisioning. Support for up to 1. Benefit from 1 million systems—flash-optimized fourth-generation EF-Series arrays are designed to work in the most demanding environments.

Guard against data loss and downtime events—locally and long distance—with advanced data protection. Need a software update?

Find downloads on Support. Learn More. Consume the storage your business requires with NetApp OnDemand consumption models. Read More. Video Surveillance Meet the challenges of increased surveillance-data throughput, retention, and retrieval. High Performance Computing Optimize performance for petabyte-scale, data-intensive applications.

Backup and Recovery Get cost-effective, reliable, fast storage for backing up heterogeneous environments. Hardware and software for at-rest data encryption are not available in certain countries, including Belarus, Kazakhstan, Russia, and other Eurasian Customs Union countries.

System weights will vary depending on drive count and type. Multiple Business Advantages. Maximum Efficiency Eliminate overprovisioning. Modular Scalability Support for up to 1. Enterprise-Proven Platform Benefit from 1 million systems—flash-optimized fourth-generation EF-Series arrays are designed to work in the most demanding environments.

ef-series

Advanced Data Protection Guard against data loss and downtime events—locally and long distance—with advanced data protection. Recommended for You. NetApp OnDemand Consumption. Show More Show Less arrow-down. Typical: 0. Typical: Typical: Maximum: Typical: 1,Sentai Filmworks Announcements at Anime Expo. Sentai Filmworks announced at its Anime Expo panel that it has licensed ef - a tale of memories.

Jul 3, PM by Naruleach Discuss 35 comments. Hide Ads Login Sign Up. Edit Anime Information What would you like to edit?

Add to My List. Add to Favorites. Type: TV. Premiered: Fall Producers: Rondo Robe. Licensors: Sentai Filmworks. Studios: Shaft. Score: 7.

EF Series - Spec

Ranked: 2 2 based on the top anime page. Ranked Popularity MembersFall TV Shaft. More characters. More staff.

ef-series

Edit Opening Theme 1: "euphoric field" by Tenmon feat. ELISA ep This is a list of episodes of the two Japanese anime television series adaptations of the two-part adult visual novel series Ef: A Fairy Tale of the Two.

The first anime adapts the whole first game Ef: The First Tale. The second anime adapts the second half of the second game. The first anime adaptation entitled Ef: A Tale of Memories. The story follows three protagonists and their interactions with the girls they meet and gradually fall in love with. Ef: A Tale of Memories. The episode titles are originally written in English and as such there are no Japanese language equivalents.

The first letter in each episode's title, plus the " coda " title of the last episode, can be brought together to form "Euphoric Field". The series was released in six limited and regular edition DVD compilations, each containing two episodes. The second anime adaptation entitled Ef: A Tale of Melodies. Very much like the first season, the first letter in each episode's title reveals a hidden meaning.

The first six episodes spell out the word "future" backwards with the following six episodes having the prefix "re-" attached to five of the first six episode titles, but introduced in reverse.

For example, episode six is entitled "flection" and episode seven is titled "reflection".

एक 5 साल के बच्चे ने ये कहानी बनाई,, सावधानी हटी,दुर्घटना घटी A STORY BY RANVEER SINGH RANA

For episode twelve, the title is "forever". The opening theme, starting with episode three, is the English version of "Euphoric Field" by Tenmon featuring Elisa.

The first episode uses a background music track for the opening theme, and the second and tenth episodes have no opening theme; "Euphoric Field" was also used for the ending theme in episode two. The Japanese version is used as the opening theme for the twelfth episode.

The first ending theme is "I'm here" by Hiroko Taguchi which is used for episodes one, three, seven, and ten. The opening theme of Ef: A Tale of Melodies. A new version of the opening sequence of the first season was inserted in the middle of episode eleven. The song "A moon filled sky. From Wikipedia, the free encyclopedia. Wikipedia list article.Sizing of the cabinets reduces processing and hardware in each cabinet, ultimately keeping manufacturing costs down.

In addition to the tiles simplistic design, it is fully front serviceable making it ideal for wall mount solutions in churches, corporate facilities and much more. The EF Series also offers custom curving capabilities as an upgrade to the standard model.

EF Series is available in the following pixel pitches: 1. Resolution is often key in most installs of LED. The EF Series offers a wide pixel pitch range ensuring you get the most for your money.

Pixel pitches availabe in the EF Series include: 1. Each EF series LED tile is both fully front and rear serviceable allowing for easy on site maintenance over the lifespan of your video wall. Standard power and data connectors as well as pass through channels make wiring the EF Series tiles easy. Cabinets have alignment pins for guaranteeing safe and proper alignment of panels horizontally and vertically. Click on your desired pixel pitch to view specifications View full spec table in the product brochure.

EF Series - 1. EF Series - 2. EF Series - 3. EF Series - 4. EF Series - 7. Choosing the right LED display partner can be a tough task. Learn what to look for to guarantee a successful LED Deployment! Unsure if FLEXUltra is the right product for your build, then use our Product Selection Tool to quickly receive a recommendation for which product we believe would be best for you. This process only takes a minute as you answer a few basic questions in regards to your project.

This site uses cookies. Cookies are designed to create a better user experience for our vistors. PixelFLEX does not store personal details. By continuing to browse the site, you are agreeing to our use of cookies. We may request cookies to be set on your device. We use cookies to let us know when you visit our websites, how you interact with us, to enrich your user experience, and to customize your relationship with our website.

Click on the different category headings to find out more. You can also change some of your preferences.EF stands for "Electro-Focus": automatic focusing on EF lenses is handled by a dedicated electric motor built into the lens. Mechanically, it is a bayonet-style mountand all communication between camera and lens takes place through electrical contacts; there are no mechanical levers or plungers.

The mount was first introduced in Canon claims to have produced its millionth EF-series interchangeable lens on 22 April The EF mount replaces its predecessor, the FD mount. The standard autofocus lens mounting technology of the time used a motor in the camera body to drive the mechanics of the focus helicoid in the lens by using a transfer lever.

The key innovation of the EF series was to use a motor inside the lens itself for focusing. This allowed for autofocusing lenses which did not require mechanical levers in the mount mechanism, only electrical contacts to supply power and instructions to the lens motor.

eF Series® Power Direct Vent

The motors were designed for the particular lens they were installed in. The EF mount reversed the mechanical logic of the FD mount. The FD mount provided the three-eared bayonet fitting on the camera body, and each FD lens provided a breech-lock receptacle to register and fasten the lens to the bayonet. The EF mount reverses this logic, providing the bayonet on each lens, and a receptacle on the camera body.

The EF mount also changed the logical clamping action of the bayonet receptacle to improve the tactical operation. Attaching an FD lens to a camera body required two hands: one to hold the lens in position, and a second to twist the breech-lock ring to rigidly lock the lens to the camera.

The EF mount instead provides leaf springs in the receptacle, which hold the registration surfaces of the lens and receptacle together along the optical axis, while the manual twisting action engages a spring-loaded registration pin in the receptacle which drops into a recess provided on the bayonet fitting, locking the rotation.

This EF mount feature provided the convenience of attaching EF lenses with one hand holding the lens and twistingversus two hands one to hold the lens, one to twist the breech-lock required for the FD attachment.

An EF lens may also be removed with one hand by gripping the base of the lens and pressing the nearby release button with the tip of thumb. The one-handed skillful operation of the EF mount allows changing lenses in handheld photography, since the other hand is freed to hold the camera body. The EF series includes over eighty lenses.

ef-series

The EF-M mount was introduced with two lenses, a 22mm prime and an 18—55mm zoom. Its large diameter and relatively short flange focal distance of Conversely, parfocal adaptation of EF lenses to non-EF camera bodies is not generally possible with only a mechanical adapter that does not contain optical elements. Lenses for the earlier Canon FD lens mount are not usable for general photography on an EF or EF-S mount camera, unless adapters with optical elements are used because they are made for a flange focal distance of only Most of these lenses require autofocus and aperture motors inside the body which isn't available in EOS bodies.

Infinity focus would be lost with an adapter which lacks optical elements. With a manual connection, the aperture and focus controls of the lens cannot be controlled or read from the camera; the lens must be focused manually. Since the only possible metering is through-the-lens, the lens must be manually stopped down to accurately meter at anything less than full aperture.The opening video for the game was animated by Makoto Shinkaiand a majority of the music was produced by Tenmonwho has worked in the past with Shinkai and Minori.

Before the release of Ef: The First Talea manga based on the overall story was serialized between and starting in Dengeki Comic Gaobut later transferred to Dengeki Daioh. On September 26,it was announced that MangaGamer had acquired the rights of the visual novel for a worldwide English release, in partnership with the translation group No Name Losers.

The license holding company Sentai Filmworks licensed both Ef anime series. The gameplay requires little interaction from the player as most of the duration of the game is spent simply reading the text that appears on the screen which represents either dialogue between the various characters or the inner thoughts of the protagonist.

Each protagonist is paired with a heroine, and each scenario in the original PC versions of the visual novels includes scenes with sexual content.

ef-series

Every so often, the player will come to a point where he or she is given the chance to choose from multiple options. The time between these points is variable and can occur anywhere from a minute to much longer. Gameplay pauses at these points and depending on which choice the player makes, the plot will progress in a specific direction. There are four main plot lines that the player will have the chance to experience, one for each of the heroines in the story.

The plot lines carry on from each other in a linear fashion. The game can end prematurely if the player makes the wrong decisions. When this occurs, the player must go back to a previously saved spot and choose different decisions. For EfMinori attempted to create a movie-like experience, using a lot of animated two-dimensional computer graphics presented from various angles.

Instead of presenting the visuals straight-on with a character's image in the middle of the screen and the character being the main focus, the character images in the Ef series are off-center and appear closer to "event" computer graphics CGs in typical visual novels.

These types of CGs occur at certain pivotal times in a visual novel's story and are meant to be artistic and much more detailed than normal visuals.

Ef: A Fairy Tale of the Two consists of two parts.

EF-Series Flash Storage Arrays

It consists of a prologue and two main chapters with Miyako as the focus for the first chapter, and Kei for the second. The second part consists of two more main chapters and an ending chapter, with Chihiro as the focus for the third chapter, and Mizuki for the fourth.

Despite her attire, Yuko is not affiliated with the church. She always appears generally out of nowhere, and disappears just as quickly in various places throughout the story to talk with Hiro or other characters and give them advice. After the conclusion of the first chapter, the story cycles back to the prologue and the talk between Yuko and Yu.

Yuko ends with her talk about the events in the first chapter. At the end of the second chapter, the story shifts again to the scene with Yuko and Yu. Yuko finishes her talk on the events from the second chapter and says that she misses talking to Hiro, Kyosuke, and their friends. Their talk ends with allusions to the continuation of the story, Ef: The Latter Tale. She ends up destroying his bike, and later hangs out with him for the rest of the night. Hiro later meets Miyako again at school, and learns that she is a student of the same year there, but in a different class; she too does not attend classes much because she finds them boring.

Hiro and Miyako eventually become a couple, despite Kei's feelings for him.Alexandra was perfect in deciphering the type of experience we were looking for. Our trip was absolutely magical. We only wish we had more than nine days to experience all the grandeur that Iceland had to offer. The itinerary, lodgings and optional activities that Nordic Visitor put together on our behalf were all fabulous and contributed to one of our best vacations ever.

We feel fortunate that we connected with Nordic Visitor and cannot recommend its services highly enough. All of our hotels were much higher quality than we would have booked ourselves. They were wonderful and the breakfasts were fabulous. The personnel were so friendly and often went out of their way to help.

We appreciated the markings on the maps. The only bit of complaint we had was that the young man at the car rental did not give very good directions to the car garage. It was hard for my husband to walk that far. We should have called a taxi.

The GPS in the car gave good directions. My husband was not used to the gas saving engine shut off and he thought there was something wrong with the car. I presumed it was to save gas, and he finally got used to it.

The best part was that we found where my grandparents had lived and were born. Thank you for giving us extra time in the locations where we needed to hunt. Thanks to Cecelia for all your answers ahead of time and for working out the details.

The trip was wonderful and the adventure of a lifetime for our age. My husband, fifteen year old son and I just returned from the 10-day Iceland Full Circel self-drive tour. Iceland is beautiful and unspoiled. The topography is someting we have never seen -- from mountains and glaciers to lava and geysirs and boiling mud pits -- every day we saw somethine unique and amazing.

We cannot say enough about Larus and the travel arrangements and information provided by Nordic Visitor. From the initial contact to departure Larus was professional, prompt and helpful.


thoughts on “Ef-series

Leave a Reply

Your email address will not be published. Required fields are marked *